This is a dark ghost story about the gentrification of a small town, the lives of those negatively affected by it, and how the spirits of the town start fighting back. Ronan Szepessy finds himself returning to Hudson despite the terrible experience of growing up gay and artistic in the small, closed-minded town; when he sees his old neighbors evicted from their homes and developers closing in like sharks, the depth of his hate allows the ghosts of the town to sink their hooks into the citizens, spreading horror and violence. It’s a tough book to read; Ronan is bitter and angry, as are all his fellow citizens both corporeal and not, and there’s not really any light moment to ease the tension. I think this book had urgent things to say about gentrification and how it can kill the spirit of a small town, but it gets drowned in all the violence and weirdness.
Tag: author-sam j. miller
Someone in Time: Tales of Time Crossed Romance, ed. Jonathan Strahan
Short story collection, all about time traveling and falling in love. Some authors took the assignment literally (Theodora Goss’s A Letter to Merlin, in which time-traveling agents, sent to influence the behavior of historical figures, try to communicate with one another); others take a more roundabout route (Zen Cho’s The Past Life Reconstruction Service, in which people get to relive their past lives in search of answers for their present lives). Other standouts were Sam J. Miller’s Unabashed, or: Jackson, Whose Cowardice Tore a Hole in the Chronoverse, a poignant and unforgettable wail of pain; and Time Gypsy by Ellen Klages, which creates one of those beautiful perfect cause-and-effect time-travel loops while also pulling in themes of feminism, gay rights, and found family. Really great collection overall.
Blackfish City, by Sam J. Miller
This is a post-apocalyptic (or more accurately, during-apocalyptic) cyberpunk novel, which focuses so much on humanity that as a reader, I almost stopped seeing the cyberpunk altogether. It’s almost the opposite of William Gibson type novels, in which the humans are cyphers and the tech is cool; Miller’s humans’ emotions are deep and raw, and the fact that they live in a futuristic city run by mysterious AIs is just another part of their daily lives (though it’s also a huge part of the story). The geothermal city of Qaanaaq, an arctic refuge for those escaping the wars and chaos of a warming world, is visited by a mysterious woman who may or may not be bonded to an orca through exotic and secret technology; meanwhile, ordinary citizens are afflicted by a disease called “the breaks,” which bombard them with glimpses of strangers’ lives. Miller weaves these disparate threads together in a fast-moving and urgent story that also becomes a commentary on how those in political or economic power can dehumanize others, and the importance of family and community in a world being torn apart by climate change.