There are some big names in here (Nnedi Okorafor, Neil Gaiman) and some that I love but may not be so famous (Amal El-Mohtar, Claire North, Saad Z. Hossain), but for me the standout stories were by authors I hadn’t previously encountered. “Reap” by Sami Shah is written from the viewpoint of a drone operator who is surveilling the Pakistan-Afghanistan border, and who begins to witness some freaky supernatural goings-on. It’s brilliant, combining frightening djinn behavior with the weird disconnection of war at a distance, and the feeling of being under threat by forces you can’t comprehend. I’d give second place to “The Congregation” by Kamila Shamsie, a gorgeous and spiritual piece about longing and brotherhood. Honorable mention to “Duende 2077” by Jamal Mahjoub, in which an exorcist is called to visit a haunted spaceship. Mostly a strong collection, put together in a way that started out whimsical and got really creepy towards the end.
Tag: author-nnedi okorafor
LaGuardia, by Nnedi Okorafor, illustrated by Tana Ford
Written by Okorafor after a bad experience with the TSA, and after the Muslim ban was put in place, this graphic novel explores a world in which aliens have come to Nigeria and integrated into society, and in response the US puts a travel ban in place to block any immigration from Nigeria or other countries with alien citizens. As human and political xenophobia clash against protesters pleading for tolerance, a Nigerian-American doctor named Freedom is affected on a very personal level as she travels back to the US while smuggling a leafy alien refugee called Letme Live. None of the messaging is subtle, but the artwork and coloring are lush and beautiful and the story moves along nicely.
Noor, by Nnedi Okorafor
This may be unfair, because this is only the second book I’ve read by Okorafor (I’m counting the Binti series as a single book), but I am beginning to see a pattern: 1) she comes up with really cool ideas and characters, and then 2) writes a frankly incoherent and rambling story around them. Born malformed and then further injured in an accident, narrator AO defies social norms by repairing and augmenting herself with mechanical parts. AO lives in a futuristic Africa which has harnessed the punishing effects of climate change (scorching sun, blistering windstorms) to generate solar and wind power. From that foundation, we devolve into an illogical and disjointed tale that unsuccessfully mixes together cool concepts such as an evil megacorporation, nomadic herdsmen in the age of technology, an entire hidden city of technocrat rebels, manipulation of crowds through social media and superstition, and the cherry on top: a rather abrupt love story between two characters with no chemistry and nothing in common. Quite a letdown, really.