This book begins with a woman raising demons from skeletons, as a timid bard creeps up and begins gently drawing her story out of her; in turn, she divulges details about him that she should not know. By all rights it should have ended with their stories meeting together at the present, then proceeding together into a satisfying climax… but as her story dragged on and on, crammed with irrelevant detail and bloated with extraneous characters, I reached page 668 of 714 and realized that there was no way in this book we were going to reach the end of her story. Epic battles and inter-kingdom wars had been hinted at, and she’d barely graduated school. I felt extremely cheated and in no mood to read any further in the series. I was also not a fan of her culture, in which women with magic powers were required to train as warrior-geishas who could sing, dance, kick butt, and still simper and giggle around powerful men while entertaining them. Seriously. Meanwhile male magic-users have to join a killing squad with a high death rate. I was briefly interested when a male magic-using character showed up and wanted to train as a geisha, but we never learn where his story goes because 700 pages later we’re only a fraction done with the story. Definitely not continuing on with this series. (Unless someone tells me it gets more worthwhile.)
Month: August 2023
You’re That Bitch, by Bretman Rock
I’ll be honest, my decision process for picking up this book was “hey! That gorgeous genderfluid model on the cover of Vogue Philippines also wrote a book?” I expected to put this down after no more than thirty seconds, but instead I got sucked into a fascinating story of a life spent first in the Philippines, then in Hawaii, in the care of a large, rambunctious family, sometimes problematic but always fully supportive. I loved the depictions of his family, particularly his grandmother, mother, and sister, and their Filipino customs; it was also really interesting to read about his journey from baby influencer to self-made star. The tone of the book is light, jammed with interjections like “girl” and “yenno,” feels like he narrated it voice-to-text, and generally made me feel very old; it’s easy to skim (and I did in fact skim past most of the encouraging self-help bits at the end of each chapter) and quick to read.
Ink Blood Sister Scribe, by Emma Törzs
Kudos to this book for not only being well-plotted and well-executed, but also having one of the best as-needed reveals of magic systems I’ve read in a while. The main characters are estranged sisters Esther, who left home at age 18 and never returned; and Joanna, who remained a faithful protector of their family’s library of magical books. Across the ocean, there’s also Nicholas, a Scribe whose inborn magic allows him to write more of those books, though at a severe cost to his health. Eventually, all three of them stumble together into the realization that there is way more to their separate situations than they were ever allowed to understand. Great pacing and smooth writing made this a very satisfying read.
Fablehaven, by Brandon Mull
Delightfully creepy but not too scary at any given time, which is a great balance to strike. Cautious, law-abiding Kendra and her impulsive brother Seth are dropped off at their grandparents’ for the summer; their grandfather Stan seems less than happy with this arrangement, and the children soon find out why, setting themselves up for a summer of magic, adventure, and plenty of opportunities for desperate bravery. I liked how both child and adult characters were given space to both make mistakes and learn from them, in a way that felt organic to the story and not forced. No particularly new ideas here, but very smoothly executed. Ties up the biggest conflicts at the end, but leaves lots of nice open ends for sequels.
VenCo, by Cherie Dimaline
I wanted to like this more than I actually did; the concept was great but the execution was heavy-handed and the plot essentially went nowhere. Six out of seven witches in a coven have come together, and a two-dimensional evil witchhunter (thinly veiled symbol of the patriarchy) has ramped up his efforts to hunt down the last witch before she can join them and bring about some nebulous prophesied change. The witches, who have all escaped some form or other of sexist sadness, don’t seem to have gained any particular magic from their having done so; the ones with magic seem to have had it already. Basically this was super girls-against-the-man! women have ancient and mysterious powers! which I would ordinarily be down with but there should really have been a lot more thinking going into plotting, worldbuilding, and character arcs. I stubbornly made it to the end and the payoff was… less than worth it.
In Other Lands, by Sarah Rees Brennan
Excellent book, I want to push it at all misfit teenagers (and the adults they grow up to be). It’s a self-aware portal fantasy, done super well. 13 year old Elliot, upon discovering that he can enter a magical world, immediately tries to improve it: he smuggles in ballpoint pens to use instead of quills, calls out cross-species racism, and promotes diplomacy over war. His changing relationships with his warrior peers, elf Serene and awkward scion Luke, work as a beautiful heart to the story. (Fans of the relationship dynamic in Naomi Novik’s Scholomance series will enjoy this one too.) I couldn’t wait to finish this book and also never wanted it to end.
A Gift of Dragons, by Anne McCaffrey
The kid read Dragonsong and liked it, so I went looking for more Pern material that might be suitable for young adults. This short story collection isn’t it; the stories cover bullying (The Smallest Dragonboy), reinforcing traditional gender roles (Ever the Twain), and deep dives into the series and society of Pern which I don’t feel like dragging the kid into (The Girl who Heard Dragons, Runner of Pern). Pern was a huge part of my adolescence but I feel like it might not be aging well; certainly there’s better stuff out there these days.
Hotline, by Dimitri Nasrallah
This book was tearing up the review scene in Canada so I gave it a shot. The pace is slow and patient, mostly moving through mundane details and only hinting at the broader picture, but builds on itself until the smallest actions carry huge emotional weight. Muna is a Lebanese immigrant teacher whose French skills are not as useful as she had hoped they would be in Montreal; to support herself and her son Omar, she takes a job at a call center selling a weight loss program. It’s hard scrabbling out a living as a single mom in the Montreal winter, but in Muna’s life, the small victories and occasional moments of grace balance out the casual racism and institutional disregard. The gradual unfolding of the events in Lebanon that drove her to Montreal are illuminating as well. Really well done storytelling.
The Wee Free Men, by Terry Pratchett
For some reason I never read the Tiffany Aching subset of the Discworld books, so when I saw this volume at the used book store, I picked it up for the kid. He absolutely loved it and demanded more (dear Libraries ACT, you need to stock up). Tiffany is an excellent version of the practical Pratchett heroine; she pushes back aginst dogma, does her own research, and forges ahead with determination. The Wee Free Men are excellent supporting characters, as are Tiffany’s fellow countrymen. Fine middle-grade reading material, entertaining without being dogmatic.
Lords of Uncreation, by Adrian Tchaikovsky
I was so excited to read this conclusion to Tchaikovsky’s Final Archtecture trilogy and it absolutely did not disappoint (except when I reached the end and realized that I wouldn’t be spending any more time with these characters). It’s classic space opera with an extremely existential threat to humanity (and humanity’s various alien sometime-allies), with plenty of facets looking out only for themselves. As usual with Tchaikovsky’s novels, no matter how weird things get, it’s the beautiful character work that pulls the reader along; most of the arcs end well, and some end excellently.